The idea for this plastic came about gradually, as I followed a WWII series on National Geographic and at the same time bought a welding machine and learned to weld. I have found that there is a good match between the welding process and the atmosphere that the documentary footage of the war emits - taten, the melting of metal, its combustion, its spraying and coating, its smoke and its smell.
The composition is made of profiles made of black and stainless steel.
At the heart of the structure is the broken cross. Its plastic deconstruction builds a new structure that is sustainable in its diversity and development potential.
